The aloe print came naturally. I knew it had to feel ethereal. Fresh, light, almost watery, like the textures you see around Como.

We chose lightweight georgette on purpose. Not just because it’s airy, but because it tears in a very specific, almost poetic way. It’s delicate. It nearly breaks in your hands.

We didn’t want to hide that.

So we kept raw finishes wherever the print turns red. That edge feels like the fabric drying out, thinning, slowly falling apart. Like color becoming structure.